Partitions Numériques de Organ Contemporary pour Clarinette Basse

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Organ Contemporary
Non classifié 1 569

Piano & claviers
Orgue 3 060
Piano seul 335
Piano, Voix 243
Orgue, Trompette (duo) 59
Piano Facile 55

Orgue, Piano (duo) 51
Piano, Voix et Guitare 50
2 Pianos, 4 mains 23
Piano grosses notes 16
2 Orgues (duo) 11
Instruments en Do 11
Piano Trio: piano, violon, violoncelle 8
1 Piano, 4 mains 8
Orgue, Voix 5
Clavecin 4
Piano (partie séparée) 3
Piano Quatuor: piano, violon, alto, violoncelle 3
Piano Quatuor: piano, 2 violons, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 2
2 Pianos, 8 mains 1
Accordéon 1

+ 16 instrumentations

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Guitares
Guitare 22
Guitare notes et tablatures 15
Ligne De Mélodie, (Paroles) et Accords 12
Basse electrique 4
Ukulele 4

2 Guitares (duo) 3
Piano, Guitare (duo) 2
Ukulele Baryton 1

+ 3 instrumentations

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Voix
Chorale SATB 640
Chorale 2 parties 213
Chorale Unison 97
Chorale 3 parties 94
Voix duo, Piano 45

Chorale TTBB 41
Voix duo 34
Voix moyenne, Piano 16
Chorale, Orgue 11
Chorale SSAA 7
Voix haute 5
Voix seule 3
Voix Soprano, Piano 2
Voix Alto, Piano 1
Voix basse, Piano 1
Chorale SSATTB 1
Voix duo, Orgue 1
Chorale SSAATTBB 1

+ 13 instrumentations

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Vents
Flûte traversière et Piano 35
Saxophone Alto et Piano 31
Hautbois, Piano (duo) 28
Flûte traversière 25
Clarinette et Piano 25

Saxophone Soprano et Piano 21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 21
2 Saxophones (duo) 21
Flûte, Hautbois, Clarinette, Basson 20
Quatuor de Saxophones: 4 saxophones 20
Saxophone Tenor et Piano 19
Clarinette 18
Saxophone et Orgue 18
2 Clarinettes (duo) 13
Saxophone (partie séparée) 12
3 Saxophones (trio) 12
Saxophone Baryton, Piano 11
Quatuor de Clarinettes: 4 clarinettes 11
Clarinette, Orgue 10
Hautbois (partie séparée) 9
2 Flûtes traversières (duo) 9
3 Clarinettes (trio) 8
Quintette de Saxophone: 5 saxophones 6
Piccolo 6
Flûte traversière, Orgue (duo) 6
Flûte, Clarinette (duo) 5
Saxophone Alto 5
Trio de Flûtes: 3 flûtes 4
Quintette de Flûte : 5 flûtes 4
Clarinette (partie séparée) 4
Cor anglais, Piano 4
Ensemble de Clarinettes 3
Saxophone Tenor 3
Flûte, Hautbois, Clarinette (trio) 3
Flute (partie séparée) 3
Cor Anglais 3
Clarinette, Violon (duo) 2
Ensemble de Flûtes 2
Flûte et Guitare 2
Hautbois, Clarinette, Basson (trio d'anches) 2
2 Hautbois (duo) 2
Clarinette, Alto et Piano (trio) 2
Clarinette Basse, Piano 2
Hautbois, Clarinette (duo) 2
3 Flûtes à bec (trio) 2
Quatuor de Flûtes : 4 flûtes 2
Flûte, Violon 2
Hautbois, Basson (duo) 1
Hautbois, Flûte 1
2 Cors Anglais Et Pianoforte 1
Flûte, Trompette (duo) 1
Flûte, Saxophone (duo) 1
Flûte, Alto (duo) 1
Flûte, Violoncelle 1
Flute, harpe et violon 1
Flûte à bec Alto 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette Basse 1

Clarinette, Basson (duo) 1
Clarinette, Orchestre 1
Hautbois et Orchestre 1
2 Flûte à bec (duo) 1
Ensemble de Hautbois 1
Flûte à bec Soprano 1
Clarinette, Trompette (duo) 1
Hautbois, Orgue 1
Quatuor de Flûtes à bec 1
Flûte, Clarinette, Violon (trio) 1

+ 63 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 72
Trompette, Piano 31
Cor et Piano 24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 23
Trombone et Piano 18

Tuba et Orgue 16
Trombone, Orgue 16
Trompette 14
2 Trompettes (duo) 12
Trombone 11
2 Trombones (duo) 9
2 Trompettes, Clavier (piano ou orgue) 9
Cor 8
Cor et Orgue 6
2 Cors (duo) 6
Euphonium, Piano (duo) 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Tuba et Piano 4
3 Trombones (trio) 4
Quatuor de cuivres: 4 trombones 4
Cor anglais, Piano 4
Trompette, Cor (duo) 3
Trompette (partie séparée) 3
Cor Anglais 3
Cor (partie séparée) 3
Quatuor de cuivres: 2 trompettes, 2 trombones 3
2 Tubas (duo) 3
Trompette, Saxophone (duo) 2
2 Euphoniums (duo) 2
Quatuor de cuivres: 4 cors 2
Trombone (partie séparée) 2
Quatuor de cuivres: 4 trompettes 2
Ensemble de Trompettes 2
3 Trompettes (trio) 1
2 Cors Anglais Et Pianoforte 1
3 Cors (trio) 1
2 Trombones, Piano 1
Trombone, Cor (duo) 1
Ensemble de Cors 1
4 Tubas 1
Trio de Cuivres 1
3 Tubas (trio) 1
Clarinette, Cor (duo) 1
Trompette, Trombone (duo) 1

+ 39 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 91
Violon et Piano 66
Violoncelle, Piano 34
Violon 32
Alto, Piano 31

Violoncelle (partie séparée) 23
Trio à Cordes: violon, alto, violoncelle 16
Violoncelle, Orgue 14
Violon, Orgue 14
Contrebasse, Piano (duo) 10
2 Violoncelles (duo) 10
Alto (partie séparée) 9
Violon, Violoncelle (duo) 7
Harpe 6
Violon (partie séparée) 6
Alto seul 6
Alto, Orgue 5
2 Violons (duo) 5
Violoncelle 4
2 Altos (duo) 3
Contrebasse (partie séparée) 3
Piano Trio: Violon, Alto, Piano 3
Alto, Violoncelle (duo) 2
Contre Basse 2
Trio à Cordes: 3 violoncelles 2
Violon, Alto (duo) 2
2 Contrebasses (duo) 2
Trio à Cordes: 2 violons, alto 2
4 Violoncelles 1
Quatuor à cordes: 4 violons 1
Harpe, Violoncelle (duo) 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Harpe, Violon (duo) 1
Trio à cordes: 3 altos 1
2 Altos, Piano 1
2 Violoncelles, Piano 1
Quatuor à cordes : 4 altos 1
Harpe (partie séparée) 1
Violon, Clarinette, Piano (trio) 1
2 Violons, Piano 1

+ 35 instrumentations

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Percussions & orchestre
Orchestre 82
Orchestre d'harmonie 81
Cloches 71
Orchestre de chambre 64
Orchestre à Cordes 43

Ensemble de cuivres 33
Ensemble Jazz 15
Jazz combo 10
Marimba et Orgue 5
Batterie 5
Marimba 4
Ensemble de Percussions 4
Fanfare 2
Percussion (partie séparée) 2
Piano et Orchestre 1
Xylophone 1
Vibraphone 1

+ 12 instrumentations

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Organ Contemporary

Clarinette Basse

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Saint-Saëns: The Swan for Bass Clarinet & Piano

Saint-Saëns: The Swan for Bass Clarinet & Piano #Clarinette Basse #INTERMÉDIAIRE #Classique #Camille Saint-Saens #James M #Saint-Saëns: The Swan for #jmsgu3 #SheetMusicPlus

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)

Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.

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